Writings and personal papers Series 1. Writings and Personal Papers is mainly composed of manuscript versions of several of Windham's writings, as well as some correspondence between Windham and other authors, including E.M. Forster and Tennessee Williams. Also included are some items from Windham's personal library, such as several issues of Fine Print magazine. The series itself is arranged in no particular order. box folder Request box 1 1
Flesh Farewell
Donald Windham, Dogstar , typescript; earliest draft of published novel, holographic corrections. 1 2
Dog Days
Donald Windham, Dogstar , typescript; draft of first chapters of novel, contains at the end a 1 page synopsis of the rest of the novel explaining the work in terms of western mythology. 1 3
The Dog Star
Donald Windham, typescript; "intermediate version" of the novel with holographic corrections, two versions of chapter two. Many pages of typed notes -- heavily corrected. 1 4
The Dog Star
Donald Windham, typescript; completed manuscript. 1 5
E.M. Forster's Letters to Donald Windham
Original typescript. 1 6
E.M. Forster's Letters to Donald Windham
Three sets of page proofs with holographic corrections. box folder Request box 2 1
Emblems of Conduct
Donald Windham, typescript; holographic corrections. 2 2
Emblems of Conduct
Donald Windham, galley proofs from the New Yorker , and typescript. 2 3
Emblems of Conduct
Donald Windham, galley proofs from the New Yorker . 2 4
The Hero Continues
Donald Windham, typescript -- carbon copy; with holographic corrections. Also a note on a piece of manila envelope: "corrected MS printed set 1960 from which R.H.D. book." (sic) 2 5
Like a Flower
Donald Windham, typescript -- carbon copy; with holographic corrections contained in folder marked, "Anne Meyerson manuscript typing and mimeographing service." box folder Request box 3 1 "The New Moon with the Old Moon in Her Arms"
Donald Windham, typescript; 1951; Several drafts of the story with notes both typed and handwritten. Also with the unpublished "Stanley," a biographical essay written in the first person. In a blue slipcase. 3 2 "The Rain"
Donald Windham, typescript; early draft with holographic corrections. 3 3 "The Ring: A Link in a Chain"
Donald Windham, typescript; 1958; two drafts of the story, Includes related correspondence with holographic corrections. In brown slipcase. 3 4 "Rosebud"
Donald Windham, typescript; two copies of story, one inscribed to Sandy Campbell on his birthday. In black slipcase. 3 5 "Rosebud"
Donald Windham, typescript -- carbon copy; final version with holographic corrections. 3 6
Tanaquil
Donald Windham, typescript; working notes, outlines and early drafts. The typescript pages are heavily corrected by hand. Also: A Show Without an Audience (type script) and Old Dance Cards at the New Miami -- changed on the first page to An Old Dance Card From the New Miami (type script) These are short stories, and seem to be works which preceded Tanaquil , and from which Tanaquil is drawn. box folder Request box 4 1
Tanaquil
Donald Windham, typescript; with holographic corrections. 4 2
Tanaquil
Donald Windham, page proofs; with holographic corrections. In brown folder labeled, Campbell U.S.A. 4 3
Tanaquil
Donald Windham, page proofs; with holographic corrections. Also typed corrections on separate pages, and a small brown folder labeled "Tanaquil U.S.A." containing ads for Tanaquil from newspapers; also handwritten and typed notes. 4 4 Correspondence
From Tennessee Williams to Donald Windham, and others. -- 1940-1965. Photocopies only, no originals. box folder Request box 5 1
Tennessee Williams Letters to Donald Windham
, 1940-1965
Edited and With Comments by Donald Windham, Typescript; with holographic corrections. 5 2
Tennessee Williams Letters to Donald Windham
, 1940-1965
Edited and With Comments by Donald Windham, Page proofs; with holographic corrections, two sets. 5 3
Tennessee Williams Letters to Donald Windham
, 1940-1965
Edited and With Comments by Donald Windham, Page proofs; photocopies. box folder Request box 6 1 "The Third Bridge"
Donald Windham, typescript, with holographic corrections. 6 2
Two People
Donald Windham, galley proofs, marked with stamp "Readers Set." Stamped with date March 10, 1965, with holographic corrections. 6 3 "The Warm Country"
Donald Windham, typescript; several drafts and various notes. One draft heavily edited by Tennessee Williams. Includes note that it was published in the June 1947 issue of "Horizon." 6 4
The Warm Country
Donald Windham, galley proofs, of short story anthology by the same name as Windham's story within, with holographic corrections. 6 5
You Touched Me
A play by Tennessee Williams and Donald Windham. Typescript, marked "version D" February 1943, and in red pencil "not playing version," on title page. (purchased by Georgia Libraries) 6 6
You Touched Me
A play by Tennessee Williams and Donald Windham. Typescript, marked early version, very few holographic corrections. (purchased by Georgia Libraries) box folder Request box 7 1 "El Buho Y Picasso," Americana , September 1947
Donald Windham. Autographed by Donald Windham 9/6/47. 7 2 My War with the United States by Ludwig Bemelmans, (review, Donald Windham)
Boys' High Tattler , Atlanta, Georgia, May 18, 1938; This is in an envelope with a note written by Donald Windham on the outside stating it was one of the first things he had printed.7 3
Tennessee Williams Letters to Donald Windham
, 1940-1965
Christopher Street , October 1977, Donald Windham. Excerpts from the book of the same name, 5-17, four copies.7 4 Dance Index Vol. II, nos. 6, 7, June-July 1943
Edited by Donald Windham. 7 5 Dance Index Vol. III nos. 1,2, January, February 1944
edited by Donald Windham; contains: "The Stage and Ballet Designs of Pavel Tchelitchew" by Donald Windham, 4-30. 7 6 "To Three Italians" Folder 2 , Vol. 1, no. 2, poem by Donald Windham, 1954 (2-4) 7 7 "The Warm Country" Horizon , June 1947
Donald Windham. 313-323. This folder also contains an index to Horizon Magazine for vols. 1-108. 7 8 "Single Harvest" Horizion , October 1947
Donald Windham; two copies; the first with holographic note: "With my drafted corrections for the book version." Second copy with the note, "With love for Sandy, my only agent." Signed "Donald Windham. 10-3-47." 7 9 "Rosebud" Horizon , July 1949
Donald Windham; 13-30. 7 10 "Paolo" The Listener , April 2, 1959
Donald Windham; 600-602; three typescript copies. 7 11 "The Bathtub" The Listener , July 16, 1959
Donald Windham; 101-103; two copies. 7 12 "The New Moon with the Old Moon in Her Arms" Mademoiselle , January 1952
Donald Windham; p. 120. Signed by Donald Windham, with holographic note explaining how the story came to be in Mademoiselle . box folder Request box 8 1 "The Rain" New Yorker , April 23, 1960
Donald Windham, 40-43. Autobiographical short story later published in book Emblems of Conduct . 8 2 "The Full-Length Portrait" New Yorker , May 14, 1960
Donald Windham, 39-43. Autobiographical short story later published in book, Emblems of Conduct . 8 3 "A Coin with a Hole in it" New Yorker , June 4, 1960
Donald Windham, 36-39. Autobiographical short story later published in book, Emblems of Conduct . 8 4 "The Man Who Couldn't Come Into The House." New Yorker , July 30, 1960
Donald Windham, 21-24; Autobiographical short story later published in book, Emblems of Conduct . 8 5 "The Chifforobe" New Yorker , October 22, 1960
Donald Windham, 146-156. Autobiographical short story later published in book, Emblems of Conduct . 8 6 "Gentian" New Yorker , November 17, 1962
Donald Windham, 53-58. Autobiographical short story later published in book, Emblems of Conduct . 8 7 "A Key to Andre Gide" Noonday , 2, 1952
written by Pierre Herbert, translated by Donald Windham. 3-33. 8 8 "The Third Bridge" Noonday , 3, 1960
Donald Windham, 70-82. With a note on a separate piece of paper, "For the Donald Windham Collection (sic) at University Of Georgia." 8 9 "Rome" The Paris Review , No. 3, Fall 1953
Donald Windham, 95-112. With lines drawn around parts of the text, and one note, perhaps in Donald Windham's hand. 8 10 "Behind the Face of the Gifted Bitch" The Sunday Times Magazine , September 16, 1973
44-53. Article on Gore Vidal with photograph of Donald Wyndham (sic), Tennessee Williams, Tanaquil LeClerc (sic), Gore Vidal and Buffy Johnson. This folder also contains one page from After Dark , July, 1972, with a photo of the same persons taken at the same time from a different angle. 8 11 "El Septimo Dia" Sur , September 1943
by Donald Windham 32-41. 8 12 "Night" View , no. 3
Donald Windham, 84-85. Inscribed, "Nightstories to Sandy Campbell from Donald Windham. 7/29/44." 8 13 "Eyes of Ulysses" View , Summer 1944
Donald Windham, 45, An anthology inscribed, "With affection for Sandy Campbell from Donald Windham, 6/14/44." 8 14 "A Dark Riddle" View , May 1946
Donald Windham, 6, signed, but not dated. box folder Request box 9 1
Book Week
, August 8, 1965
Review of the Donald Windham novel Two People , by Eleanor Perry, titled: "When in Rome Be Careful." p. 6. 9 2
Books of the Month
, January 1961
Review of The Warm Country , by Leonard Leathem, titled: "Novel Views." 19-21. 9 3
Christopher Street
, August 1977
"The Williams-Windham Correspondence," by Tim Dulgus, 53-56. 9 4
Columns
, December 10, 1977
"Library Given Collection of Georgia Writer's Works." by Judi E. Morgan. p. 1. 9 5
Dictionary of Literary Biography
"Donald Windham," Robert M. Willingham, Jr., 380-386 9 6
Letter from the Georgia Collection
, March 1977
"Donald Windham;" Richard B. Harwell, 14-15. 9 7
Letter from the Georgia Collection
, March 1978
"Box of Blocks;" Richard B. Harwell. 14-17. 9 8
London Magazine
, July 1978
"The Private Letters of Tennessee Williams," Dotson Rader, 18-28. This article is an attack on Windham for his publishing the letters which Tennessee Williams wrote him. 9 9
London Magazine
, February-March 1981
"The Private Letters of Tennessee Williams," Donald Windham, 80-88. This article is Donald Windham's very effective reply to Rader's article above. Windham takes the previous article apart point by point, demonstrating where and how Rader stretched, or otherwise misrepresented, the truth. 9 10
New York Times Book Review
, January 15, 1978 -- February 5, 1978
"Tennessee Williams -- Donald Windham," A booklet inscribed on the front: "For Sandy from Don, 13 February 78." 9 11
Penguin Books
, September-December 1980
"Tennessee Williams' Letters to Donald Windham 1940-1965," 3. 9 12 Collage Materials
Includes: Joseph Cornell Collages 1931-1972 , with "The Things that Cannot be Said," a reminiscence by Donald Windham. Signed by Donald Windham and dated 12 January 81; New York Times article from November 16, 1980, titled "Joseph Cornell's Unique Statement" by Donald Windham with printed title scratched out and replaced with: "Joseph Cornell and His Audience: The Reward of the Puzzle," in Windham's hand also signed Donald Windham; poster titled "The Cultural Impact of Scientific Inquiry," listing under art exhibits, "Homage to Donald Windham," an exhibit by John Digby. 9 13 Van Vechten, Carl
Miscellaneous papers including: Carl Van Vechten 17 June 1880 : 17 June 1980 , a booklet featuring the gifts of Carl Van Vechten to Yale University; Carl Van Vechten Cultural Contributions of a Century , a exhibition booklet of the Centennial Celebration, held in Cedar Rapids, Iowa to celebrate the 100th anniversary of the birth of local son Carl Van Vechten; Ex Libris , Carl Van Vechten, a privately published collection of book jacket blurbs from the books of Carl Van Vechten, written by Van Vechten. These were collected and published by Bruce Kellner and Paul Padgiste. Only one hundred fifty were published, with the first one hundred named for their recipients. This copy is "number 59, for Donald Windham." 9 14
The Warm Country
Cover designs for the dust jacket of the book. 9 15 Passports Donald Windham, 1946 1950 1957 1961 1967 9 16 Playbills You Touched Me , Tennessee Williams, and Donald WindhamIncludes: numerous playbills and programs for play with Playbill for the original Boadway programs for production. A Streetcar Named Desire , Tennessee WilliamsOne program for the play featuring photographs of the original cast taken prior to the opening of the play in New York City, December 3, 1947. Tennessee Williams' Tiger Tail , Tennessee WilliamsOne program for the world premiere of the play, by the Alliance Theatre Company, Atlanta, Georgia, January 1978. Vieux Carre , Tennessee WilliamsPlaybill for the play's run at the St. James Theatre, April 1977. Camino Real , Tennessee WilliamsOne program for the play produced by the Repertory Theater of Lincoln Center/Vivian Beaumont Theater, January - February 1970. The Starless Air , Donald WindhamOne program for the production of the play at the Playhouse in Houston Texas. Directed by Tennessee Williams. May 13, 1953. 9 18 Miscellaneous. Donald Windham
Including: Donald Windham collage, Pier, Provincetown, Mass . as a postcard; photographic reproduction of one page from the manuscript of The Dog Star ; an announcement of the Carlton Gallery's opening of a exhibition of Collages, including the work of Daonal Windham; a biographical note from World Authors , New York: 1975; a dust jacket for The Hero Continues ; two copies of Donald Windham's collage postcard, West Side Y.M.C.A. -- Piazza del Pipolo (1972). box folder Request box 10 1
A.B. Bookman's Weekly
, December 12, 1977
Includes note in Donald Windham's hand that: "Miss Steloff [founder and proprietor of New York's Gotham Book Mart] gave me this at her 90th birthday party. There's a quote from me in a write up in a recent Publisher's Weekly of the Occasion. DW." 10 2
Art and Literature 8
, 1966
Includes a note inside: "Donald Windham's copy." 10 3 Botteghe Oscure VI
also an index to Botteghe Oscure ; 1948-1952. 10 4 Botteghe Oscure IX10 5 Botteghe Oscure X10 6
Christopher Street
, December 1977
Contains an article, "The Postcard as an Object of Art," with a photograph of Donald Windham's "West Side YMCA -- Piazza del Pipolo (1972)." 10 7 Fine Print Vol. I, #4, October 197510 8 Fine Print Vol. II, #2, April 197610 9 Fine Print Vol. II, #3, July 197610 10 Fine Print Vol. II, #4, October 1976
Inside this issue is a letter from Sandy Campbell ordering James Schuyler's book, The FireProof Floors, etc. and on the same note paper a return note from [Claire Van Vliet] at the Janus Press. box folder Request box 11 1 Fine Print Vol. III, #1, January 1977
This issue contains a review of the private press edition of Tennessee Williams Letters to Donald Windham 1940-1965 ; published by Stamperia Valdonega, Verona Italy. 11 2 Fine Print Vol. III, #2, April 197711 3 Fine Print Vol. III, #3, July 197711 4 Fine Print Vol. III, #4, October 197711 5 Fine Print Vol. IV, #1, January 197811 6 Fine Print Vol. IV, #2, April 1978
Includes illustrative supplement. 11 7 Fine Print Vol. IV, #3, July 197811 8 Fine Print Vol. IV, #4, October 197811 9 Fine Print Vol. V, #1, January 197911 10 Fine Print Vol. V, #2, April 197911 11 Fine Print Vol. V, #3, July 197911 12 Fine Print Vol. V, #4, October 197911 13 Hartwick Review Vol.3, #1, Spring 1967
Contains article: "The Origin of he Sonnets from the Patagonian" by Carl Van Vechten - annotated and with an introduction by Bruce Kellner. Inscribed: "To Sandy and Don who knew about this long before I did. -- Bruce" With other changes and notes by Bruce Kellner. 11 14
Paris Match
, January 16, 1960
Albert Camus obituary issue. 11 15 Story III #16, November 193311 16 Story IV #19, February 193411 17 Story XXVII #116, December 1945
Contains: "The Important Thing." by Tennessee Williams. 11 18 Playbills
This folder contains four Playbills , a Carnegie Hall program, and a Metropolitan Museum of Art program. The Playbills are:Nureyev and Friends , January 1975.A Doll's House , February 1975. Contains a note on a slip of paper inside in an unidentified hand: "The library might want these?"Clothes for a Summer Hotel , March 1980The Carnagie Hall program is for the Vladimir Horowitz International Golden Jubilee Concert 1928-1978. Includes two ticket stubbs for the May 7, 1978 performance.The Metropolitan Museum of Art program is for the Ford Foundation program for "Concert Soloists." It features Regina Sarfaty, and Ned Rorem. One of the pieces performed, Poems of Love and the Rain contains a line of text from Donald Windham's "The Rain."
Photographs and promotional materials Series 2. Photographs and Promotional Materials consists mainly of photographs and negatives depicting Windham and various locations in Europe. Also included are articles, oversized, photographs, book jackets and posters, and an audio recording. box folder Request box 12 1 Undated Negatives (3 items) 12 2 Photographs of pen and ink sketches of Donald Windham by Paul Cadmus, 1941 (2 items)
One photograph of Donald Windham in front of Paul Cadmus drawings and etchings. 12 3 Jamaica and New York, 1946 (33 items)
Includes photographs of Donald Windham, Sandy Campbell, Jane Lawrence Smith, Heather Killum(?), Kirk Browning. 12 4 New England, 1949 (15 items)
Includes: Donald Windham, Sandy Campbell, and William LeMassena. 12 5 France and Italy, 1948 (55 items)
Includes: Donald Windham, Sandy Campbell, SS de Grasse, Tony Smith, Mary Diveny(?), Tennessee Williams, Salvatore Moresca, Fred Melton, W. M. Campbell, and Pat Schubert. 12 6 Italy, 1950 (22 items)
Includes: Donald Windham, Sandy Campbell, Truman Capote, Kelly ( a dog held by Capote), Jack Dumphy. 12 7 Miscellaneous Photographs, 1937-1944 (30 items)
Includes: Fred Melton -- on the back of one 8x10 Melton has inscribed, "To Don, Little 4 eyes, Fred," Tennessee Williams -- one inscribed by Williams, "To Don and Fred, two of my fav'rite (sic) drunken or sober companions. Tenn. (sic) Wms. (sic) 5/8/40" This photograph includes Donald Windham, Fred Melton, Williams, and Anne Bretzfelder at the Village Barn on 8th Street, celebrating William's signing of a contract with the Theatre Guild for Battle of Angels Also: several nude shots of Donald Windham, and Fred Melton, nudes of Paul Cadmus on Fire Island, taken by Jared French, nudes of Don Windham at Fire Island, Margaret French, Jared French; Gilbert Maxwell; Tennessee Williams, and Don Windham at Jack Dempsey's bar. 12 8 New England, 1952-1954 (56 items)
Includes: Jose Quintero, Leigh Connell, most taken at beach at Fire Island, Provincetown, and Nantucket; on Brooklyn Bridge with Paul Cadmus; also Joe Le Sueur on Fire Island. 12 9 Studio Photos of Donald Windham, and Sandy Campbell, 1955 (7 items)
by Carl Van Vechten. 12 10 Miscellaneous photos, 1956-1957 (13 items)
Includes: Donald Windham, Sandy Campbell, Fred Melton, Truman Capote, Tennessee Williams, also Capote with Bunkie and Kelly. (Bunkie and Kelly seem to be Capote's dogs) 12 11 Miscellaneous photos, 1959-1960 (13 items)
Includes: Donald Windham, Sandy Campbell, George Balanchine, Tanaquil Le Clercq, Natasha Molostwolf, Eddie Bigelow, Charles Van Wrangle, Una(?) Kay. 12 12 England, Germany, 1960 (21 items)
Includes: Donald Windham, Sandy Campbell, E.M. Forster; includes photos of Donald Windham and Sandy Campbell at Cambridge with E.M. Forster, also Donald Windham at Stonehenge. 12 13 Greece, Venice, 1960 (74 items)
Includes: Donald Windham, and Sandy Campbell. 12 14 France, Italy, 1964-1965 (18 items)
Includes: Donald Windham, Sandy Campbell, Stefano Rapisayda, Elizabeth Van Rysselberghe, "Whitey." 12 15 U.S. and Europe, 1967-1974 (26 items)
Includes: Donald Windham, Sandy Campbell, Giovanni Marsdersteig, Tanaquil Le Clercq, Peter Brandon, Jane Brandon, Mouska (?) Balanchine (Mouska is a cat), Eyre de Lanux. 12 16 Miscellaneous photos, Undated (4 items)
Includes: Donald Windham and André Mouvois. 12 17 Miscellaneous photos, 1959 (12 items)
Includes: Clara Svendsen, Baroness Karen Blixen, Carl Van Vechten. 12 18 New York, Undated (13)
Includes: Donald Windham, Sandy Campbell, Nicholas Magallanos, Michael Steele, Gore Vidal, John Bernard Meyers, Charles Henri Fors, Andreas Brown, Paul Bowles, Herbert Machiz, Parker Tyler, Frances Steloff, Harvey Donegan. oversized_box Request oversized_box 17 Lambda Book Report article about Windham , 1996 17 Audio recordings on LP records (5) (one is Donald Windham reading "The New Moon With the Old Moon in Her Arms") 17 Oversized photographs (17 items: 8 photographs, 9 negatives) 17 Book Jackets (2) 17 Exhibit poster 17 Published writings, some signed (4) oversized_folder Request oversized_folder 1A Broadside (the Tattooed Countess)
Windham's Autobiography Series 6: Windham's Autobiography consists of the full text, with many variations, of Donald Windham's autobiography of his childhood: Emblems of Conduct. These materials were originally housed in a large green cloth covered box. box folder Request box 20 1 Research Letters
Twelve pages, typed and handwritten, from Donald Windham's mother, his cousin, the Veteran's Administration, and other miscellaneous items. For Scribner's edition: Sample page, cover, jacket copy, (corrected by Windham), epigraphs, original periodical publication information, ten pieces. 20 2
"The Dark Night"
, Undated
Early version, five pages plus title page. Corrected by Windham in brown ink. Final version six pages, corrected by Windham in black ink. 20 3
"The Man Who Could Not Come Into the House"
, June 30, 1960
Ten pages, plus two pages of revision and the title page. Original typescript by Windham corrected in black ink. Accompanied by letter from the New Yorker returning the manuscript after publication. 20 4
"The Bath Tub"
Nine pages plus title page. Windham's original typescript of the version published in The Listener , corrected in black ink. Accompanied by tear sheets from The Listener of the story in the July 16, 1959 issue. 20 5
"The Full-Length Portrait"
, May 14, 1960
Early version nine pages plus title page. Original typescript by Windham corrected in black ink. Heavily annotated on each page by William Maxwell, an editor at the New Yorker. Second version, rewritten from the first. Original typescript by Windham ten pages plus the title page. Accompanied by letter from the New Yorker returning the manuscript after publication. 20 6
"The Ring: A Link in the Chain"
Tearsheet of the story's appearance in The Listener . (March 5, 1959) With note, "Used by Scribner's for book, D.W. '81." (sic) 20 7
"The Blond Bed"
, undated
Early version. Five pages plus title page. Original typescript by Windham, with corrections in brown ink. Final version, carbon of Windham's typescript corrected in black ink. 20 8
"The Yen: a Coin With A Hole in It"
, June 4, 1960
Early version. Ten Pages plus one title page. Windham's original typescript, one page of William Maxwell's typescript, with Windham's black ink corrections, and Maxwell's pencil annotations throughout. Another version, seven pages plus title page. Windham's typescript corrected in black ink, with Maxwell's handwritten annotations on alternate first page. Accompanied by two sets of tear sheets and letter from the New Yorker returning the manuscript after publication 20 9
"The Long Sunday Ride"
, undated
Early version. Seven pages plus title page. Windham's typescript corrected in black ink and pencil. Later version, with abandoned beginning, and end frame. Seven pages. Windham's original typescript with his corrections in black ink. 20 10
"The Rain"
Windham's original typescript corrected in black ink, ten pages. Accompanied by letter from the New Yorker returning the manuscript after publication. (April 23, 1960) Accompanied by two sets of tear sheets from the New Yorker, one extensively corrected by Windham in black ink for the Scribner's typesetter. 20 11
"Gentian"
, November 17, 1962
Carbon of Windham's original typescript, on extra length Italian paper, corrected in black ink. Eleven pages, Nine galley proofs from the New Yorker, extensively corrected throughout by Windham in pencil. Six full page proofs, a few corrections in pencil by Maxwell, of the story's appearance in the New Yorker. 20 12
"The Chiffarobe"
, October 22, 1960
Windham's original typescript, thirteen pages plus title page. Accompanied by six pages (both side) tear sheets from the New Yorker, corrected throughout by Windham in black ink, for the Scribner's printer, and a letter from the New Yorker returning the manuscript after publication. 20 13
"Ruby, Sapphire, Yellow Diamond"
Early version. Windham's original typescript. Three pages. Final version: carbon of Windham's typescript corrected in black ink. Three pages. 20 14
"The Glass Doors"
, undated
Early version. Windham's original typescript, corrected in black ink. Seven pages plus title page. Second version: . Windham's original typescript, corrected in black ink, and annotated through by William Maxwell in pencil. 22 pages. Third version: . Windham's original typescript, corrected in black ink and pencil. Seventeen pages plus title page. Final version, Windham's typescript, corrected in black ink. Eight pages. 20 15
"Myopia"
, July 13, 1963
Windham's original typescript, corrected in black ink, and used by the New Yorker 's typesetters with their marks, stamps etc. throughout. Accompanied by the carbon of this typescript used by Windham for revisions, and by an extra page of alternative text. Also: nine New Yorker galley proofs, containing passages cut as possibly libelous and five full page proofs of the story's appearance in the New Yorker , plus letter from the New Yorker returning the manuscript after publication. 20 16
"The Square Jaw"
, undated
Early version. Windham's original typescript, corrected in black ink and pencil. Nine pages plus title page. Early version of The Kelly Boys section: Windham's typescript on ringed notebook paper. Two pages. Final version: Windham's original typescript, corrected in black ink. Ten pages. 20 17
When you Wet the Bed, First it is Warm then it Gets Cold
, undated
Windham's original typescript, corrected in black ink. Ten pages. (Retitled in the book: Blocks and Books) 20 18 Journey 19 and Pegasus , undated
Early version, Windham's original typescript, corrected in black ink and pencil with some annotations by William Maxwell in pencil. Twenty one pages. Final version Windham's original typescript, corrected in black ink. Twenty four pages. (Retitled in book: A Horse With Wings )
