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The collection consists primarily of correspondence, subject files, and public files related to his work as a executive director of the Institute of Ecology.

The collection consists of blueprints and plans from thirteen different institutions in the University System of Georgia. The University of Georgia is the most represented institution in the collection. Non-collegiate projects, such as the Chicopee Manufacturing Company (the site of which is now belongs to UGA's Facilities Management Division) and several agricultural facilities are also included. In additions to blueprints and plans, the collection contains some campus maps and comprehensive campus plans.

This collection contains biographical information, correspondence, writings, book manuscripts, notebooks, club and society publications, teaching, and business materials, photographs, and awards.

The collection consists mainly of Nolee May Dunaway's papers, but there are also items belonging to her mother (May Launius Dunaway), her father (Reverend J.Y. Dunaway), and other family members. Included in the collection are correspondence, photographs, and tintypes, scrapbooks, clippings, business items, recital programs, commencement programs, diplomas, school papers, University of Georgia Music Department material, and church material.

The collection consists of thousands of postcards collected at the Hargrett Library over many decades; the postcards depict locations in Athens, Georgia, the University of Georgia, different towns and cities around the state of Georgia, and locations spanning the entire the United States. It also includes international, holiday subjects, and art postcards.

The collection consists of over 2000 pieces of art created by Jack Davis over the course of his career. The cartoons were commissioned for various publications, including TV Guide, Time, Mad, and EC Comics. The artwork includes drafts, sketches, animation cels, and completed works.

The Georgia Review records collection consists of materials from the late 1940s through the 2000s. These materials trace the history of the journal from its struggle to stay financially afloat in the late 1940s through its current award-winning and nationally respected modern day status. The work-related correspondence of most of the The Georgia Review's editors is found here along with documents related to exhibits and conferences the journal's staff participated in over the years. Also of interest, is a large amount of material such as original manuscripts and listings of authors and artists who have contributed to the journal.

The collection consists of scripts, clippings, correspondence and some photographs and tapes. Included with most scripts are explanatory notes typed by Sloane. Some of the script titles and their content are: The big story (newspapermen); Duty bound (draft evasion); Eleven Memory Street (displaced persons); Emily, Emily (Down syndrome); And James was a very small snail (autism); Kids like these (Down syndrome); Man behind the gun (WWII); Martin Luther (religious biography); Navy log (stories of Navy history); Radio readers digest (dramatization of war stories); Sit down, shut up or get out (exceptional children); This is my son (Down syndrome); Time to remember (folktale documentary); To all my friends on shore (sickle cell anemia); and Transatlantic call (international exchange documentary).

The collection consists of papers of Thomas Hubbard McHatton and the McHatton and Lustrat families including account books, clippings, correspondence, diaries, financial records, legal documents, plantation accounts, postcards, printed material, and scrapbooks. The collection documents Thomas H. McHatton's activities in World War I, World War II, and the American Legion; activities of Joseph and Eleanor Lustrat including her involvement with the Red Cross in World War I; Marie L. McHatton's activities with the Garden Club of Georgia (Athens) including correspondence and printed material on gardens or garden clubs in Georgia and the United States; and James Alexander McHatton family papers pertaining to the family's flight to Cuba after the Civil War, their life on a plantation in Cuba, and their return to the United States.