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The posters series of the Georgia Music Hall of Fame collection consists of several hundred wall posters, flyers, album flats, and promotional displays for a wide range of artists. The majority of posters feature individual artists and groups, promoting their albums and tours. Some publicize festivals and other special events that included many artists, such as Athfest, the Atlanta International Pop Festival, and the Blind Willie McTell Blues Fesitval.

The ephemera series of the Georgia Music Hall of Fame collection consists of mostly printed material and souvenir items associated with Georgia artists, record companies, and events. Such items include concert tickets, backstage passes, concert tour booklets, buttons, pins, iron-on patches, event programs, and stickers.

The collection consists of photographs and negatives from Pandora, the Red & Black, and the photographic services of the Georgia Center for Continuing Education depicting campus buildings and grounds (including the construction of new buildings), University fraternity, sorority, and club members, social events, individual portraits, and departmental activities.

The collection consists of papers of Lucy Bates relating to her interest in dance from 1906-1970. The papers include correspondence, diaries photographs, printed material, and clippings. The correspondence (1911-1960, with gaps) and diaries (1907-1927, with gaps) document Bates' school days, European trip (1911), and growing interest in dance, its interpretation, and her teaching career. Notable correspondents include Jean Reti-Forbes and Katherine Heyman. The collection also contains programs of plays, concerts, operas, and recitals (1906-1923, 1938) mainly in New York; programs, articles, and photographs pertaining to dancers or dancing; and dance programs, photographs, newsletters, and clippings concerning the Noyes School of Rhythm (Portland, Conn.) from 1913-1970.

Men's clothing from 1860s-1910s including collars, shirts, jackets, pants, vests, suits, and swim suits.

This collection contains correspondence, subject files, photographs and writing documenting Dr. Hartrampf's career from medical school, through residency, and into practice, as well as his writing and lecturing activities.